It was great! We got up early to get there on time, the bus ride was quiet (thank god, I needed rest) and we made it there on time. We practiced for 2 hours with George Parks, who did a great job of getting us in formation and getting us pumped up. He conducted on a lift that was about 50 feet in the air, and then he stood on the railing and conducted us. I thought he was going to fall. Luckily, he didn’t fall, and after 2 hours of practice we went to go eat soggy roast beef subs and put on our uniforms, which was a very tedious business, as there was no space. I ended up opening the emergency exit and changing outside.
We got into line, and slowly made our way to the stadium. Whenever we stalled Phil and I played Play That Funky ‘Tuba Right,’ Boy to the tap of the drums. We got other band to join in at one point. We marched the half mile to the stadium and sat down. The game was great, we owned the other team, probably because of the overwhelming support for UMass. We did the wave, when the cheerleaders shouted “go Bulldogs” we shouted “UMASS!” to drown out “Bulldog” and when they cheered after their chant we cheered with them. Mean, but fun. We also got a chant going all the way across the stadium. Our side shouted ‘YOU!’ and the other side shouted ‘MASS!’. It was awesome!
Then, at halftime, we performed, it was truly AMAZING! The power and intensity. This video doesn’t cut it, you really have to be there.
Afterwards we continued to own the Bulldogs, won, got on the bus, and went home.
As a side note most people on the bus had to go very bad. So the bus stopped at a rest stop, we all got out, ran to the building, pounded on the door, and the janitor inside wouldn’t let us in. Argh! We cried, and ran around the building looking for a port-a-potty or something. When we circled the building we looked up and saw this. “Please do not pee on this wall, security cameras in use” we LMAO’d.
We performed The Rite of Spring today. It was a lot of fun! It was not the best we have done but still very good. I arrived at 9:30, warmed up, and we went on stage to practice around 11:00. Symphony Hall was a lot smaller than I remembered it. I don’t know if it was because of the point of view (on stage instead of in audience), or that I’m several years older than when I first saw it. Probably both. The only part in the piece that was still bothering me after all the practices we have had was the soli. It was at the limit of my high range and wore me out quickly. I could make it almost to the end without having to take it down the octave. Practice went well, and afterwards I went out to Symphony Sushi with some friends. I goth the Seafood Ramen Noodle Soup and promptly discovered that it is extremely hard to eat Ramen noodles with chopsticks. You know how when a bullfighter whips a whip and the end goes extremely fast? Well that what happened every time I slurped up my ramen. Once it even hit me in the eye! Ouch. Later I got dressed and fought with an extremely irritating button that refused to go through its respective hole. Then I waited, and waited, and waited. After a couple of hours we were on! The orchestra entered the stage amid a flurry of applause from the audience, we tuned, the conductor came out, and we began. Everything went very well. I got through the soli safely, and only missed one note. We almost fell apart at the end. It felt like we were riding in a car that was just about to fall apart but was staying together due to a continuous application of Elmer’s School Glue™, but we made it through! Woo!
For those of you who have not heard of The Rite of Spring, here it it. (this is not BYSO)
Double Dissonance came from an idea I had while making Deep Under the Vacuum. It has four tracks, the top two have the same note, with one being a few cents flatter than the other, creating that wah-wah sound you hear when two instruments are slightly out of tune. The bottom two also have the same note, but not the same as the top two. Again, one track is a few cents flatter that the other, creating that wah-wah effect. The top two tracks are panned all the way to the left, and the bottom two are panned all the way to the right. So you have one wah-wah in one ear, and another in the other ear. Then the tracks pan back and forth, letting you listen to the changes in the wah-wah effect. The tune finally ends in a final, non-dissonant chord. It’s much simpler than what I just described. Here’s the link: DoubleDissonance.mp3 Be sure that you don’t have any “sound enhancers” turned on. It will ruin the effect.
Darkscape is just me looped over myself. It’s just for fun. (what isn’t?) Link: Darkscape.mp3 Again, make sure you don’t have any “sound enhancers” turned on. It will ruin the effect.
I made this video one fine Saturday morning so I could flush all the creativity out of my system so I could focus on homework. Strangely, I spent more time trying to upload this video at a decent quality than doing homework!
Tubas begin their lives as small euphoniums, but quickly move up in rank to a full fledged tuba. They feed on notes in the middle of the staff, and progress downwards as they age. The diagram below provides more information.
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The Endangered Tuba
The Tuba is one of the largest brass instruments in the world, with an adult male reaching upwards of 4 feet in height and 60 lbs in weight. Tubas are an endangered species, because most have been beaten to death by the "Horn Denters". There are now believed to be less than 10000 tubas left in the world. The Horn Denters usually join band because their parents forced them to. Thus they are very angry fellows and like to take out their anger on tubas. If a tuba is strong enough to survive this ordeal and eats enough pedal tones, then it will go on to become a 6/4 adult tuba. They survive in band rooms, concert halls, and are sometimes lucky enough to gain a "tuba player", who will help the tuba thrive and teach them how to sing.
The Poison Tuba
Although they are not considered to be poisonous, the saliva from a Tuba contains deadly bacteria. This saliva is so toxic, that 0.006 mg of its venom will kill a flute. The spit is initially very painful due to its acidity. The patient will immediately feel tingling around the mouth and tongue, facial muscle twitching, nausea, vomiting, profuse sweating, salivation, and shortness of breath. Patients may rapidly develop agitation, confusion and coma associated with hypertension, metabolic acidosis, dilation of the pupils, and generalised muscle twitching. Death results within the hour from progressive hypotension or possibly raised intracranial pressure resulting from cerebral oedema.
The Three Valve Tuba
An F and Eb tuba can only gain valves by finding the valve tree. The sacred Valve-Tree can only be found in the center of the black forest. This forest is guarded by several grand pianos, and one master piano called the Bösendorfer. To reach the sacred Valve Tree the tuba must sneak into the Black Forest and discretely make its way through the underbrush. If a piano hears the tuba, it will be tortured with a barrage of C7's. If the tuba can fight off the pain they it may try to light the piano on fire with its valve oil or, if it a particularly tough tuba, scare off the piano with a barrage of pedal tones. Once the tuba reaches the Valve-Tree it must face off against the Imperial Grand, the Bösendorfer. The fight has never been seen by humans, as the tuba and piano move too fast, but it is generally understood that the Bösendorfer will let the tuba pass if it is worthy. The tuba then heads down a small dirt path and reaches a tree that has valves just like a cherry tree has cherries. The tuba steps under the golden valves and faces up. Immediately there is a blinding flash of light and the Tank Fanfare is heard ringing across the forest. If you listen closely enough, you may hear the newly valved tuba playing the melody. The tuba is then escorted out of the forest by several pianos, and is sent off on its own. The tuba will no longer be bothered by the horn-denters, and will be respected by the other brass instruments for the rest of its life.